Onkel consists of a solid wooden frame with Nozaq springs and HR 50 cold foam on the seat. On the backrest a softer cold foam is used for added comfort. The legs are made of ash wood lacquered to match in color.
Clean with damp cloth. Use the foam from warm water with soap flakes. Make sure only to use ecological or perfume free soap flakes. Frequent vacuuming with a soft fitting is recommended to preserve color and appearance.
Onkel (the Danish word for Uncle) is a sofa that combines the simplicity of modern forms with the soft curves of the olden days. The outer shell of the sofa has a firm expression, while the cushions are comfortable and inviting.
The Onkel sofa consists of a frame with cushions upholstered in either durable furniture textile or soft leather. The inspiration for the cushions derives from the more bombastic upholstered sofas typical of the pre-1950s era. The back cushion has been elegantly encapsulated in the frame to accentuate the union of two very different modes of expression. The materials used for the shell and cushions have been kept in the same color and there is a lacquered frame in a matching shade. This gives simplicity to the design and makes Onkel stand as a unified whole.
Simon Legald explains: "As a designer, I am curious about how the materials work together with the idea. Onkel is a sofa that was designed in a dialogue between craftsmanship and industry. In creating Onkel, I have revived old craftsmanship techniques and used them in a new context. In doing this, the details add character to the design."
Design: Simon Legald
Simon Legald graduated from The Royal Danish Academy of Fine Arts in the summer of 2012. His work consists of both small- and large scale products. Simon's designs are often created in a dialogue between craftsmanship and industry. He also likes to incorporate the techniques that are necessary for the structure of a product into the design by highlighting them visually.
"Honesty is what makes a product understandable and is what describes the products functionality. If you understand the product, it does not need any explanation. The essence of my design is for it to be bought and used. Therefore, it has to satisfy not only the functional aspects, but also the psychological and aesthetic needs. For me simplicity describes the true identity of objects and makes them trustworthy. In my design, I try not to add any unnecessary details. I work with simplicity by highlighting the necessities instead of hiding them. It gives the product a simple and honest expression."