DESIGNER SPOTLIGHT - STUDIO YOLK

At Normann Copenhagen, design is always a collaboration. Behind many of our products are external designers whose creativity, curiosity, and craft shape the objects we bring into everyday life. With our Designer Spotlight series, we invite you to step closer to these voices—exploring not only the ideas and processes that fuel their work but also the personal stories, spaces, and rituals that inspire them.

Studio Yolk is the shared practice of Morten and Pernille Iben Linde, a couple whose personal lives and professional paths are inseparably woven together. Their work lives in the space between art and design—objects that are functional yet expressive, calm yet playful, and always deeply personal.

 

Both trained as designers and psychotherapists, they carry an unusually layered approach into their practice. Design, for them, is never just about objects. It’s about stories, emotions, and the rituals of everyday life.


For Morten, the journey into design began at the School of Arts and Crafts, now the Royal Danish Academy. Dyslexic from an early age, he sought an education that spoke through form rather than words. Design offered exactly that. His upbringing surrounded by French and Italian pieces—rather than the Danish classics—shaped a perspective that was anything but conventional. Later, his training as a psychotherapist deepened his view on human interaction, and still colors the way he thinks about objects today.


“I often carry restlessness,” he explains, “so I am drawn to creating objects that bring calm.” Geometry, balance, and harmony are recurring elements in his work, and he admits to being more passionate about the process than the final outcome. His daily rituals—morning coffee, meditation—mirror this pursuit of clarity and focus.


Yet, unexpected details surface just as often. He has cooked almost every day for 35 years, drawing inspiration from cuisines across the globe. And while music remains a deep passion, he sometimes wonders if another version of his life might have been spent as a musician.


Pernille’s path into design grew out of contrasts. She describes her childhood as split between two worlds—one rooted in conformity, the other free-spirited and experimental. Both shaped her sensitivity to objects, spaces, and emotions. After studying graphic design at the Royal Danish Academy, she too trained as a psychotherapist, eventually moving from two-dimensional work into sculptural and spatial practice.

 


For Pernille, design is a way of giving form to an “inner, wordless world.”. As someone on the autism spectrum, her perception of detail, structure, and emotional nuance deeply informs her process. Over the past 15 years, she has worked as an artist— with her work guided by curiosity and playfulness, but also by a longing for calm in what she describes as a chaotic world. “I’m drawn to objects that tell a story, that feel carefully considered and carry the human touch behind them,” she explains. Surfaces, colors, and textures play a central role in her process. “Surfaces is a big thing for me. I strive for pieces that are visually engaging yet quietly expressive, inviting interaction and connection.”

 

Pernille’s daily life and rituals reflect the same care and intention she brings to her work. She finds joy in simple practices, like using her Nilfisk cordless vacuum—a small act that brings calm and satisfaction each day. For her, there is no other path than the one she follows through design, where creativity, reflection, and material exploration intersect. She cherishes moments of presence and connection, from witnessing the starlit desert in Oman to the first time she looked into her partner’s eyes and truly felt at home. These personal experiences inform her perspective and enrich the sensitivity and depth of her designs.

 


Beyond their own work, Studio Yolk is also a family endeavor. Their home is filled with colors, textures and unconventional objects, as well as works by Morten, Pernille, and their three children—two studying fine arts and one working in fashion and jewelry. The studio is a place of dialogue across generations and disciplines, where collaboration happens naturally, and life and work are deeply intertwined.


For both Morten and Pernille, design is less a career than a way of being. Their shared philosophy emphasizes playfulness, presence, and the human touch. Whether through geometry or intuition, process or surface, they seek to create objects that embody harmony, character, and a quiet kind of joy.

 

Quick Ones

Design piece you admire:
Morten: Verner Panton’s Heart Chair; the works of Ettore Sottsass.
Pernille: Eileen Gray’s Castellar Mirror.

A film you return to:
Morten: I’m not drawn to movies.
Pernille: My Octopus Teacher.

A dish you love:
Morten: Cooking daily for 35 years, he draws on Spanish, Arabic, Italian, Danish, French, and Japanese flavors.
Pernille: Middle Eastern dishes like tabbouleh, hummus, roasted eggplant, mint, and pomegranate.

An artist, band, or similar that brings you joy:
Morten: Anish Kapoor, Antony Gormley, and an eclectic mix of electronic, jazz, pop, country, and classical crossover.
Pernille: The artist Shirin Neshat, the book A Little Life by Hanya Yanagihara, and the music of jazz pianist Bill Evans.

Something completely random:
Morten: Recently diagnosed with ADHD, reshaping his view on creativity, focus and daily life.
Pernille: A failed home perm that left her wearing a turban for half a year.